A cogntive analysis of gesture and gaze direction in multimodal narratives of Brazilian Portuguese
DOI:
https://doi.org/10.54221/rdtdppglinuesb.2021.v9i1.216Keywords:
Cognitive Linguistics. Gestures. Gaze Direction. Multimodal Narratives.Abstract
In this master’s thesis, I intend to analyse the performance of gesture and gaze direction in multimodal narratives of Brazilian Portuguese. I assume the hypothesis that two multimodal articulators, especifically gesture and gaze direction, are able to be located independently in different Mental Spaces. To do so, I selected a personal narrative told by the Brazilian actress Marisa Orth, in the weekly TV show “Que História é Essa, Porchat?”, from the TV channel “GNT”. Methodologically, I divided the narrative into 11 occurrences 3 narrative excerpts: 3 occurrences present in the “Exhibition” excerpt, the presentation of the initial facts; 5 occurrences of the “Climax” excerpt, the conflict itself, the culminating moment of the story and 3 occurrences of the “Outcome” excerpt, the conclusion of the conflict. First, I analysed the linguistic choices of each occurrence, and then, we initiated the multimodal analysis of the occurrences, with support in the identification and description of the gestural strokes and, later, we identified the form of the gesture, taking into account the parameters of the Linguistic Annotation System for Gestures (LASG). With regard to the marking of Mental Spaces by gestures, I used the parameters that relate the gestures to the segment of the narrative in which a given interaction is allocated, whether it is part of an interaction in the Base Space (Ground) or part of an interaction in the narrative context (Story Space). Regarding the marking of Mental Spaces by gaze direction, I used the categorisations that verify whether the narrator gaze represents a character gaze (in the Story Space) or the narrator own gaze in the interaction (in the Ground). Only in the cases where the gestures marked the Story, I analysed, right after, if they are configured as gestures from the observer viewpoint (O-VPT) or as gestures from character viewpoint (C-VPT). Still in these cases, I analysed the gestures regarding their dominant function within the narrative: representation, expression or appeal. Likewise, only in cases where the direction of the gaze marked the Story Space, I also analysed its function within the narrative: i) character enaction and ii) narratorial gaze as itself. The results have shown that the predominant marking of Mental Spaces by gestures was the Space Story and that the predominant marking of Mental Spaces by the direction of the eye was the marking of the Ground.
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